Music
Nubya Garcia Concert Review: Presence, Sonified and Embodied
Despite the bare-bones staging, Garcia and her bandmates kept the energy high with remarkable musicianship and gratitude for the moment.
Just a Girl?: The Disappearance of the Angry Girl Music of the ’90s
Where are all the angry girls? The deep roots of angry girl music can be found across decades — clearly, there has always been a lot to be angry about.
Pop Hits and Politics: At Yardfest, Students Dance to Bedingfield and a Student Band Condemns Trump
Hundreds of students packed Tercentenary Theatre on Sunday as Grammy-nominated artist Natasha Bedingfield took the stage for Yardfest — the College’s annual spring concert — following three student band performances, one of which criticized recent federal attacks on pro-Palestine protesters.
‘Equus Asinus’ Album Review: A Sturdy, Reliable Record
At its best, the record is a warm sonic embrace neatly wrapped around lovely poetic musings evocative of Imagist poetry.
Neal Francis Concert Review: Funk is Alive and Well in Cambridge
The marquee confirmed that it was, in fact, not a Stones cover band but rather Neal Francis — an artist far from the gimmick of emulating his influences.
‘Gethsemane’ Review: A Fantastic Return to Form
The single remains a pressing narrative accomplishment, clearly bringing the listener through the torments of a tumultuous — if not abusive — relationship.
‘The Giver’ Review: Chappell Roan Got The Job Done
A playful spin on the country music that Roan grew up with, it embraces queer sexuality with traditional country instrumentals and her stunning vocals.
‘CUPID’S GIRL’ Single Review: Cupid’s Arrow May Miss the Mark
MARINA’s newest single doesn’t offer a societal critique to be presented through a kitschy persona, nor does it explore any personal vulnerabilities.
Whitechapel Concert Review: A Metalhead Ritual
Hearing the raging guitars, hammering drums, and especially Bozeman’s otherworldly and awe-inspiring vocals live was quite something to witness.
Artist Profile: Jake Minch on Songwriting and Curiosity
Minch stands out for his risk-taking and not feeling the need to craft a perfectly unobjectionable or safe artist persona.
‘Hymns in Dissonance’ Review: Deathcore’s Finest
Whitechapel's latest album, “Hymns in Dissonance," is definitively deathcore, emerging as their most brutal album in years, possibly their most brutal ever.
Students Express Concern about Renovations to Eliot’s Bernstein Piano Room
As Eliot House prepares for extensive renovations, students expressed concern over the plans to remove a historic piano, donated to the house by Leonard Bernstein ’39, over spring break.
Artist Profile: Grace Enger on Turning Life to Gold Through Music
Through her music, concerts, and social initiatives, she continues to turn things in life to fond memories and positivities like a true alchemist.
‘Super Pedestrian’ Review: Walk Don’t Run!
DiRusso’s confidence shines throughout the project and it’s evident the album has been a product of her growth personally and as an artist.
‘Ms. Whitman’ Review: A Clever Clapback
Instead of inviting the Dr. Phil’s audience to “catch me outside,” she invites Alabama Barker personally to tussle in her new single titled “Ms. Whitman.”
