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On Sept. 12, Taylor Cameron Upsahl, better known for her on-stage mononym UPSAHL, arrived at Roadrunner in support of Swedish dance-pop star Tove Lo for the North American leg of her “Dirt Femme” tour. UPSAHL has been writing and producing music since her early teens, garnering a small following in her hometown of Phoenix through a collection of self-released projects. In 2019, UPSAHL shot to TikTok notoriety with her single “Drugs,” which remains her most listened-to track with over 100 million streams. She then released her debut album “Lady Jesus” in 2021, followed by a series of EPs titled “The PHX Tapes.” One could only describe her style as provocative and outrageous, with selections like “WET WHITE TEE SHIRT” and “Lunatic” as some of the standouts from her more recent releases.
UPSAHL’s performance at Roadrunner was nothing short of electrifying, matching the fiery shock of her red hair. After drenching her white tee shirt in water to begin her set, it was clear from the get-go that UPSAHL was there to make a statement. The crowd’s energy seemed to embolden her as she confidently strutted across the stage, making a name for herself with any audience members unfamiliar with her music.
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The highlight of the evening was undoubtedly her viral hit “Drugs,” which turned into a thrilling call and response between UPSAHL and the audience. Supported by two members of her band decked out in bubblegum pink coveralls, UPSAHL managed to connect with the packed venue effortlessly, encouraging them to groove and sing along.
Throughout the performance, UPSAHL wasn’t afraid to experiment with the work of other established artists. Interpolating a cover of The Ting-Tings’ “That’s Not My Name” into her song “GOOD GIRL ERA,” UPSAHL not only welcomed new listeners into the fold, but also commanded the attention of her own fans in the crowd.
Throughout the performance, UPSAHL’s stage presence was undeniably exhilarating, reflecting the edgy nature of her music. She fearlessly interacted with the crowd, at times even running down from the stage to sing directly to audience members. It was this close connection with her listeners that made the concert feel intimate despite the large venue.
Adding to this intimacy were the song choices she made, like the inclusion of her song “Toast,” co-written with Tove Lo. In contrast to her cool-girl affect on “Drugs” or “WET WHITE TEE SHIRT,” “Toast” was a heartfelt and desperate plea to an ex, adding a touch of vulnerability to an otherwise explosive set.
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“Wonder if I am still on your mind,” she crooned to a swaying crowd. “How didn’t I know it was coming to an end?”
As the evening drew to a close, it became readily apparent that UPSAHL’s performance was not just thrilling but also profoundly memorable. Her ability to blend the provocative with the authentic, all while maintaining an infectious energy, solidified her as one-to-watch in the indie pop scene. For those lucky enough to be in attendance, it was a night filled with unforgettable music and a powerful connection between artist and listener. UPSAHL’s star is on the rise, and her performance in Boston left no doubt that she’s a force to be reckoned with.
— Staff writer Abigail A. Golden can be reached at abigail.golden@thecrimson.com.
