Writer
R. M. M.
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BOOKENDS
W RITING thirty years after the original publication of his two-volume "History of American Art," Sadakichi Hartmann says, "Most of
BOOKENDS
I F "The Old Gang and the New Gang" were actually addressed to the Mr. and Mrs. Everybody of the
The Crimson Playgoer
One could overlook the lack of plot in "Ein Nacht im Paradies," if it had any of the qualities that
BOOKENDS
This is a book that will have of necessity a limited appeal. It is neither the sort of thing that
BOOKENDS
THE modern reader seldom realizes that most Elizabethan, Jacobein, and Restoration lyrics were written to be sung; and as a
BOOKENDS
M USIC in its purity is so abstract an art that criticism of it either has been made up of
BOOKENDS
I N "Everything's Rosy," O. Soglow of New Yorker fame has made clever use of the physical device of color
BOOKENDS
A N undergraduate recently went to New York for the express purpose of gathering together as many as possible of
BOOKENDS
T HE appearance of this slim volume, the first story from the pen of Barrio in almost thirty years, comes
THE CRIMSON BOOKSHELF
W ITH the publication of "The Past Recaptured," the translation of Marcel Proust's great novel, "A la Recherche du Temps
THE CRIMSON BOOKSHELF
"R EADING, Writing and Remembering" is a charming reflection of the literary London, of two generations by one who has
THE CRIMSON BOOKSHELF
I F Mr. V. F. Calverton's thesis is, as he claims that American literature has at last broken away from
BOOKENDS
"T HE Enemy of the Stars," now issued for the first time in book form, is perhaps now interesting because
BOOKENDS
"F IGHTING for Fun" is typical both of its kind and of the magazine it appeared in, The Saturday Evening
BOOKENDS
I N "Kamongo" Mr. Smith takes us on a scientific adventure into the great universe and from there into the
