Writer
Susan Cooke
Latest Content
Beyond Bugs Bunny
A NYONE WHO THINKS that Tom and Jerry and the Road Runner represent the supreme achievements of the animator's art
Themes in Progress
M IDDLE AGE is often the period when an artist re-evaluates past accomplishments and seeks new directions. The struggle to
Fair Share Speaker Urges Support for Flat Rates
Voting yes on Question 7 on the up-coming November ballot would result in lower electricity costs for homeowners and small
Fewer Than 12 Listed to Head Med School
President Bok said last night he has narrowed the list of possible successors to Robert H. Ebert, dean of the
Private Fantasies
I N THE YEARS since Ben Shahn's widow donated 2000 of her late husband's photographs to the Fogg Art Museum,
Harvard, If You're Having More Than One
Many Lou Fackler '76 was carrying a large stack of books on the Ohio State University campus one day when
Low-Key Conducting
Shannon Hall is tucked behind Vanserg which is hidden in back of the Biological Labs. It's a long walk to
Subtle Intrusions, Reluctantly Portrayed
W HEN I WAS seven, I started a photo album. In it, I put pictures of my friends and relatives
Mysterious Jades Expressly From the Orient
G REAT ART collections, like great fortunes and empires, are often forged out of avarice, lust, tenacity and a craving
An Uneven Road
O LD JAPANESE proverb: There is more to drama than meets the eye. Unfortunately, neither George Hamlin, director of Narrow
A Thousand Pictures
Emerson ignored too much when he wrote, "There is properly no history; only biography." Nonetheless, it is true that there
The Eye of Paris
I N 1930 HENRY Miller dubbed Brassai "The Eye of Paris." Nearly forty years later, long after the obscure young
Photography of the Future
H ENRY HOLMES SMITH, professor of photography at Indiana University, friend of Laszlo Moholy-Nagy, renowned avant-garde photographer, and an explorer
Deception Unravels Deceit
A S THE applause for the Trinity Square Repertory Company's superb production of Israel Horowitz's Alfred the Great dies down
The Union of Fine and Practical
L INE, COLOR, texture are among the artist's most basic tools. Usually they are means to the ends of representation,
