Writer
Ashwini Sukthankar
Latest Content
Strong Support for PSLM
In the weeks before the living wage campaign began its sit-in in Massachusetts Hall, many of us spent hours discussing
My Astonishing Self Tries Too Hard to Portray Essential Shaw
My Astonishing Self by Michael Vovsey starring Donal Donnelly at the Lyric Stage through April 17 There is certainly something
Down to the Caesar Salad
A Place Where the Sea Remembers By Sandra Benitez Coffee House Press 163 pp. $19-95 A Place Where the Sea
An Institution With Much to Offer
. Radcliffe guarantees resources for women at Harvard. B eing a devoted daughter of Mother Radcliffe, I see no evil,
'People Are Beautiful and Life Is Short'
U h...I expected you to look more like the picture on the back of the book," I blurted stupidly, eyeing
ART's Misinterpretation Of Shaw Is Heartbreaking
Heartbreak House by George Bernard Shaw directed by David Wheeler at the American Repertory Theatre through March 3 There is
"...Best" Offers New Perspective On The Smiths
MUSIC ...Best The Smiths At first glance, "...Best," The Smiths' new compilation double album, seems like a simple random reshuffling
Despite Weak Structure, Ding Dong Chimes
Ding Dong written and directed by Elijah Aron at the Agassiz Theater through December 12 Ding Dong, an original play
Engaging Production of Widower's Houses
Widowers' Houses by George Bernard Shaw directed by Mort Kaplan at the Lyric Stage through November 29 George Bernard Shaw
Being Earnest at Leverett
THEATER The Importance of Being Earnest by Oscar Wilde directed by Chris Scully at Leverett House Last weekend, the Leverett
Tim Miller Bares Queer Body In Original Stage Performance
My Queer Body, performed by Tim Miller on October 4 and 5 Appropriately chosen Morrissey music hummed in the background,
Art's Redemptive Powers Triumph in Our Country's Good
Our Country's Good directed by Ron Ritchell at the Lyric Stage Through May 24 It might seem a little frivolous,
Jet Bludgeons Senses, Convention With Meaningless Pretension:
Jet of Blood was the Loeb Ex's latest attempt at giving Harvard theater a good kick in the pants. An
Like That Old Relative Who Won't Go Away: A "Dragging" Visit at the Loeb Mainstage
the opening scene of The Visit of the Old Lady: A Tragicomedy of Love and Rapid Economic Growth Shows a
Shaw's World: Party On, George!
"That's what I like about Shaw--he solves all the mysteries in the first act." This gospel according to a self-styled
