Arthur Miller, the world-renowned playwright widely regarded as a pioneer of American drama, recounted his experiences with the anti-Communist hysteria of the 1940s and 1950s and the creation of "The Crucible" in a lecture Monday afternoon.
Miller's lecture, titled "History Around the Crucible" and delivered to a standing-room-only audience in the Science Center, focused on Congress's investigation of his personal life and his sense that he was living in "a perverse work of art."
"In one sense," he said, "'The Crucible' was an attempt to make life real again."
"The Crucible," a dramatization of the 1692 Salem witch trials, was written as an allegory for the "witch-hunt" atmosphere that pervaded America when Joseph McCarthy, a Republican representative from Wisconsin, led the nation on a search for communists in the American government. Miller said the search "paralyzed the nation."
"Suffice it to say, it was a time of great--no doubt unprecedented--fear," he said.
Miller, who also wrote the Pulitzer Prize-winning "Death of a Salesman," called McCarthy and the anti-communist forces "silly."
His experience with the so-called McCarthy era began, Miller said, when Columbia Pictures was preparing to release the film version of "Death of a Salesman." Because many executives considered the play anti-capitalist, Columbia asked Miller to sign an anti-communist declaration. He refused.
"The air of terror was heavy," he said. "I was sure the whole thing would soon go away."
But it didn't, and as anti-communist "paranoia" swept the nation, Miller said he grew increasingly enraged by the rising hysteria.
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