Theater
Dido and Aeneas
When most Americans think of opera, they conjure up a stereotype drawn from the characterization of sitcoms and a Bugs
The Who's Classic Rock Musical Owns the Ex Stage
Watching the harvard-radcliffe dramatic Club’s production of The Who’s Tommy feels much like standing front and center at a high-energy
'Fire' Flickers but Fails to Ignite
“And so the general of hot desire / Was sleeping by a virgin hand disarm’d.” Thus Love’s Fire begins, with
Mamet Swindle Fails to Entice in the Ex
When Shakespeare goes awry, the audience can find redemption in the language. Even bad Shakespeare retains value due to the
With a Name Like Urinetown, It's Gotta Be Good
“Is this really the title?” That this phrase is on promotional materials and souvenirs means a person can only be
Yes, the iMacs Dance
For graduating seniors facing a fiercely competitive job market, the age of free-flowing venture capital, amorphous dress codes and foosball
'Saigon' Doesn't Go Far Enough in One Night
Of all the British mega-musicals that threatened to close on Broadway in recent years, the one that moved towards its
‘Hooters’ More than Eye-popping
In their recent production of Ted Tally’s Hooters, the student theater group Rock Hard Productions shows that lively comic performances
Cast Carries Stylized 'Sisters'
“Whatever happens, you can only be happy when you want to be happy,” says Vershinin, played by Thomas H. Price
Connecting with Dot:
One might think the director of a Russian drama would wear self-important designer clothes or chunky glasses and faux-nerdy attire.
The Russians Are Coming!: ‘Three Sisters’ Storms the Mainstage
The Loeb Mainstage, available to only two undergraduate productions each semester, is a mixed blessing. The huge and technically advanced
Athena’s Debut Produces Positive Effects
In the days preceding the inaugural production of the Athena Theater Company, comments like “Gamma whatsit?” or more commonly, “Isn’t
Cuckoo Soars in Leverett
“This is a misogynist, prejudiced, error-ridden play,” proclaims Jeffrey B. Dubner ’03 in his director’s notes for the program of
Fangs for the Memories
The Harvard-Radcliffe Dramatic Club was wise to schedule the current production of Dracula, Mac Wellman’s take on Bram Stoker’s Gothic
Laughter Hurts in 'Grave Affairs'
I’ll admit that I am not a frequent viewer of student theater. I have the dubious distinction of attending all
